Since October 2013 I have been reviewing Big Finish audios for www.planetmondas.com - and now all my reviews are collected here, please take your time to have a read.
Tuesday, 31 January 2017
I don’t even know where to begin, for once my (admittedly) flowery and verbose style is at a loss because how do you begin to review a Graceless box set? Really how? Because Graceless is a rare and beautiful thing that defies categorisation and is completely unlike anything else you may have heard. In a word, Graceless is unique.
OK, thats a starting point I suppose – Simon Guerrier has created something “unique” so I will take that and freewheel on with my usual flowery verbiage until I come to an end? Are we all sitting comfortably? then I will continue…
Graceless follows the story of two sisters Abby (Ciara Janson) & Zara (Laura Doddington) and how you view them depends on your view of the magic vs science debate – are they hyper evolved created beings with powers derived from the physical universe or are they two witches with magical powers who happen to live in a Science Fiction universe? Being an old romantic I go for the latter, it fits in better with my universal view that not everything needs to be quantified and explained and sometimes a bit of magical power is good. SO Abby and Zara, created by a being called “The Grace” to aid in the search for the Key to Time (see here) and then when it cast them out into the universe to fend for themselves, beings of almost infinite power with hardly any moral compass, who can do anything, literally anything – its almost like giving a cat a machine gun because Abby & Zara are still really children in their understanding – they try to do what is right and good – but what they deem as right and good may not be the morality that you and I have – their concept of right and wrong has been moulded by their experiences and they are learning all the time, learning what they can do, what they wont do and what their powers can do.
As I said earlier I can only describe this series as unique, the episodes as a whole do not have a defined structure, some are like streams of consciousness, a drifting in and out of half heard and half remembered conversations, whimsical, dream-like, fairy tale like – Abby and Zara are like a couple of cosmic Babes in the Wood doing what they can to make a difference. And they do make a difference, not always in the way they had intended but they do, they try, they have a universal view, they genuinely do see the threads that bind the universe together, and they are not scared to pluck at the ball of twine and everything unravelling is just another possibility.
Graceless is something that has to be experienced, not read about but just imagine words and music were paint and canvass and Simon Guerrier has painted an audio experience that is many things to many people – well its not really like that at all (even though it sort of is) because no amount of rambling can prepare you for this.
Now in its fourth series, and taking place a long long time after series three Abby and Zara are old, retied, have lost their powers are know by the names Amy & Joy and are played by Annie Firbank & Sian Phillips – but even in retirement there is always one more mission for them, they will always be Graceless….
4.1 The Bomb
Joy/Zara (Sian Phillips) is approached by the mysterious and rather charming stranger Pool (Adam Newington) to come out of retirement to help him deactivate a bomb which is going to devastate the planet that they live on, one last chance to make a difference, one last shot at glory, one last roll of the dice to do the right thing. A very different take on Graceless, Annie Firbank & Sian Phillips capture the essence of Abby & Zara perfectly, elderly, but with a twinkle undoubtedly the same ladies that we have known over the last three series, time has not dampened their curiosity or their spirit of adventure even if it means their death. Which it might…..
4.2 The Room
Getting involved, trying to do the right thing – but shifting the balance just a small amount can result in catastrophic consequences. This is an exercise in how to stop a war. Kidnap the generals of the opposing armies and give them a common enemy? Or just go for a pieman breakfast at Marcella’s cafe and hope it all blows over, or just do nothing, or give said Marcella (Victoria Alcock) her wish of ending hunger, or ending war or get the Generals Cormorant (Nichola McAuliffe) & Slink (Carol Starks) to be captured by the neutral denizens of the orbiting moon and work as slaves. Or all of this, or none.
4.3 The Ward
If you are an immortal being of infinite power and want to do some good why not work in a hospital? Why not put your powers to good use saving lives, why not work in the frontline and get your hands dirty. And this is what Abby & Zara do – but as always there is a deeper and darker reason for their time spent at Space Dock Hospital – their relationships with Gutierrez (Carolyn Pickles) & Chaff (Dan Starkey) are the seeds in a very long game that whilst may benefit the greater good will leave pain and agony in its wake and on the flip-side a much much greater good – but was it a price worth paying?
4.4 The Dance
Nothing to see here. Its over, the end, the final song has been sung and a choice has been made. Move along, nothing to see….
If Graceless were a TV show it would be on BBC 4 not BBC1 – it really is an acquired taste and a challenging listen in almost equal measures childlike, intense, surreal, cruel & joyful – its a fairy tale, its a tale of cosmic angst, its a tale of good intentions and bad decisions but most of all it is the story of Abby & Zara and their struggle to find their place in the Universe. And it is magnificent.